Friday 28 March 2014
Tuesday 25 March 2014
Spring is in the air...Well Almost.
Spring is in the Air....Well Almost
It's been a long weekend and just now starting to feel normal again. Cold weather and clinics really drain the life out of me! But even though the clinic this past weekend was faced with snow and chilly temperatures, the enthusiasm for learning left the arena feeling warm and cozy!
This was the first time that I was teaching at Debbie Stockers' lovely farm in Metcalfe. It was a wonderful group of diverse Western breeds, including Paints, Quarter Horses and a Canadian.
Thanks so much to Cortney Little for organizing the clinic.
The photo is of Stewart and his lovely gelding. Photo credit to Richard Latremoullie.
I couldn't resist adding this photo of my Arab/Trakehner gelding Garcon. The arena was freshly worked up and the sunshine through the new lexan panels made such a neat photo.
Last but not least, the Harmony Western Dressage Saddle. It's being shipped up from the USA and should be here soon. I can't wait to start riding in it. It looks fantastic. Here is a video of the Harmony and why it's so different to traditional Western Saddles.
Thursday 20 March 2014
What is a Jog in Western Dressage?
The following excerpt is from the Western Style Dressage Association of Canada Rulebook:
WSD 206 The Jog
1. The jog is a two-beat gait of alternate diagonal legs (left fore and right hind leg and vice versa) sep arated by a moment of suspension.
2. The jog should show free, active and regular steps. 3. Excessive speed or slowness shall be penalized. 4. The quality of the jog is judged by general impression, i.e. the regularity and elasticity of the steps,
the cadence and impulsion. This quality originates from a supple back and well-engaged
hindquarters, and by the ability to maintain the same rhythm and natural balance. 5. The following jogs are recognized: Collected Jog, Working Jog, Lengthening of Stride and Free
Jog. a. Working Jog: The horse displays proper balance with the lightness essential to Western Dres-
sage, moves forward with even, elastic steps. The Working jog may be ridden EITHER posting or
sitting. b. Collected Jog: The horse remaining in acceptance of contact moves forward in a two-beat gait
with the neck raised and arched and showing clear self carriage. The head approaches the vertical position and a light contact is maintained with the mouth. The hocks are well-engaged and flexed and must maintain an energetic impulsion, enabling the shoulders to move more freely. Although the horse’s steps are shorter than in the other jogs, elasticity and cadence are not lessened. The Collected Jog must be ridden sitting, and NOT rising.
c. Lengthening of Stride: Without rushing, the horse goes freely forward with increased ground cover in the same tempo as the Working Jog and with good balance. Lengthening of stride may be ridden EITHER posting or sitting.
d. Free Jog: This is a pace of moderate lengthening of stride and frame compared to the Working Jog. Without hurrying the horse goes forward in a two-beat gait with clearly lengthened steps, with impulsion from the hindquarters. The rider allows the horse to carry the head a little more in front of the vertical than at the Collected or the Working Jog. The horse’s neck is out, down and forward with the nose slightly in front of the vertical, with a loose rein. Ideally during Free Jog, the horse’s poll is carried below the withers. The steps should be even, and the whole movement balanced and unconstrained. The Free jog may be ridden EITHER posting or sitting.
A good example of a Working Jog
Wednesday 19 March 2014
Tuesday 18 March 2014
Top 10 Basic Exercises to Improve Lightness and Suppleness
Elaine’s Top 10 Basic Exercises
to Improve Lightness and Suppleness
1.
Turn on Forehand from the halt.
2.
Leg Yield from Turn on Forehand to a diagonal
line across the arena in walk.
3.
Square Circles bringing the front end of the
horse around the square in all 3 gaits.
4.
Serpentines 3 and 6 loops in all 3 gaits with
frequent transitions.
5.
Serpentines with 10m circles at the centre line
in walk and jog
6.
Shoulder-in to 10m circles in and out of
Shoulder-in in walk and jog
7.
Haunches-in to 10m circles in and out of
Haunches-in walk and jog
8.
Half-Pass to Leg Yield at Walk and Jog
9.
Leg Yield to Half Pass. Walk and Jog
10. Turn
on the Haunches at Walk and 10m Haunches in circle at Lope.
Monday 17 March 2014
Plagiarism
As a writer and a published author, there is one thing that severely irritates me. Plagiarism.
Perhaps it's my photographic memory that leads me to finding articles that have been copied and another person "borrowing" it or my ability to copy and paste into Google to find the copied work.
Either way it's theft and deception.
For those who are wondering why I would write this on my blog, it's VERY simple.
People who create an illusion of their vast knowledge and profit from such false writings should not be permitted to do so. It's criminal. If you find an article that sounds even slightly familiar, copy and paste 20 words into Google. You might be surprised with the findings. Report your findings to the original author. Those of us who have dedicated our lives to learning, writing and spending the time behind the computer screen to pass our opinions, experiences and first hand information should not be the victims of this illegal act.
The offenders should be publicly exposed and shamed, with a copy of the stolen work and their work to show the comparison. At this point I have collected about a dozen acts of theft from various blogs and articles within the past 3 years. People who write about riding or anything else for that matter should be writing from their own experiences and research, and not stealing work. How can someone have the nerve to change the discipline, name or gait of the horse to suit the type of riding they are talking about, and call it their own work? It's darn-right disgusting.
I don't mind if anyone shares my blog, and please feel free to do so. But if you are one of those few people attempting to fool people with a few adjustments to the article and add some obscure photo-shopped picture to claim it's your own writing, and plaster it on the internet, think again before doing it.
We as writers have our own code of conduct. # 1.... Thou shall not steal.
The photos used in this blog entry are not copyrighted, and are not being used for financial gain of any kind. They are being used as a public service announcement regarding copyright and plagiarism issues.
Learn the Basics and Have a Mentally and Physically Sound Horse
Cruising around the internet this morning and found this wonderful article. It's re-iterated what I have said to my clients and have proven with my horses over the years.
One cannot train a horse to do the 'tricks' without setting down the basic foundation. Think about it like a house. You want a pretty house, you go nuts with the trim, the decorating, and the paint, but you forget that the cement pillars that you just built your house on are in dis-repair. Before you know it, your house is falling apart and will eventually collapse.
The horse is no different.
While people are gung-ho to learn the advanced movements, we should be taking due care in the training of our horses. That lateral and collected work that you are yearning for is going to take time. It's plain and simple. As much as the physical harm can be done with a young or inexperienced horse, the mental damage is just as important to be avoided. Improvement is based on millimeters. It's never based on leaps and bounds. If you improve a millimeter a day, you are soon a mile ahead.
Here is the article to check out on this very subject.
http://www.horsemagazine.com/thm/2012/09/the-veterinary-basis-of-correct-training/
I have been involved in dressage since 1973. Since a young child, I have eaten, breathed and ridden horses. I can't ever remember a day where I my brain has stopped thinking about it.
While most people have come and gone in the horse industry, my entire life has been dedicated to horses and the art of riding and learning the best way to put the horse first without stress and abuse. Whether it's my Western or English clients, good training is good training.
When you have repeated horses working into their mid to late twenties, still sound and happy, I must be doing something right!
One cannot train a horse to do the 'tricks' without setting down the basic foundation. Think about it like a house. You want a pretty house, you go nuts with the trim, the decorating, and the paint, but you forget that the cement pillars that you just built your house on are in dis-repair. Before you know it, your house is falling apart and will eventually collapse.
The horse is no different.
While people are gung-ho to learn the advanced movements, we should be taking due care in the training of our horses. That lateral and collected work that you are yearning for is going to take time. It's plain and simple. As much as the physical harm can be done with a young or inexperienced horse, the mental damage is just as important to be avoided. Improvement is based on millimeters. It's never based on leaps and bounds. If you improve a millimeter a day, you are soon a mile ahead.
Here is the article to check out on this very subject.
http://www.horsemagazine.com/thm/2012/09/the-veterinary-basis-of-correct-training/
I have been involved in dressage since 1973. Since a young child, I have eaten, breathed and ridden horses. I can't ever remember a day where I my brain has stopped thinking about it.
While most people have come and gone in the horse industry, my entire life has been dedicated to horses and the art of riding and learning the best way to put the horse first without stress and abuse. Whether it's my Western or English clients, good training is good training.
When you have repeated horses working into their mid to late twenties, still sound and happy, I must be doing something right!
Lucky lived to be 26 and was used as a schoolmaster until then.
Maverick at 20 still doing his thing.
The Epitome of Riding
This is the ultimate result of correct communication and understanding with the horse. Riders should be more aware of their own bodies and how it influences the horse. I have spent many a lesson only working on the riders position to allow the horse to perform correctly.
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